See It Right!

Today's post will cover an interesting new area I came across.  I colleague of mine is exploring the use of color transparencies to help students who struggle with visual perception.  I wanted to post a link here in the hopes that the information would prove useful to some of our visual spatial learners who may also have troubles with perception and graphic representations.

Please explore the research here:

See I Right! research link

Here is an informational video on YouTube:

The website provides additional information about this fascinating area of exploration and research.  Recently, I had the chance to watch a few students sampling the tool kit.  One student commented that when he read the black letters on the white background the letters "moved around."  But when an aquamarine transparency was placed over the same text, he commented that it "sealed it up."  It will be interesting to continue to read and follow the development of these tools and to explore their practical application.

Working With Emergent Readers

Here is a quote from Upside-Down Brilliance: The Visual-Spatial Learner by Linda Silverman,

"Visual-spatial children master reading in a different manner from auditory sequential

children. Some VSLs have a difficult time learning to read, while others seem
to magically absorb the entire process before they enter school. Perhaps the key here is 

'before they enter school.'"

The journey toward reading successfully can be a long and dusty road for some.  In this post, we will take a look at some options and techniques to help a VSL who is struggling with the reading process.  Research suggests that some students cannot break down the parts of words (phonetic instruction) and then reassemble those parts into whole words this can ultimately effect comprehension, too.  It is recommended that sight word instruction can serve as an excellent way of helping some VSLs develop a solid reading vocabulary.

The sight word instruction can take many forms.  Using color and imagery to help students make a mental image of the word are two important techniques.  In the picture below, you will see a struggling reader's "treasure box" of words.  This is an excellent way to develop a resource of words that the student can carry from place to place and use for writing exercises.  A treasure box should be filled with the student's favorite and desired words.

This treasure box is simple, but some students decorate their special word boxes.

This students had some trouble with the word "dark" and it looks like "bark."  We'll see a possible approach to creating a better mental image of the directionality of "b" and "d" in a series of pictures below.

The other day, the student pictured below mentioned the box in his head.  He said that when he needs to keep a "bunch of things together" he puts them into a box in his head.  Then, when he needs to see them, he brings the "imagined box" forward and looks inside.  I decided to create a "brain box" for him using different colored acrylic boxes.  See below for our work with letter confusion and the his "brain box."

In this image he has the letters written correctly and he is naming them.

Here our student discusses how to use his left and right hand to think about "b" and "d"

The student spent a few moments matching his hands to the direction of the letter and then chose which box each letter should go into.  Below you will see his interest in looking through the box to see the letter and talk about its direction  He also noted that he could hold out his left hand and create the letter "L" and thus know which hand was his left hand.

 

Here he holds up his hand in the direction the "b" is pointing

In this image our emergent reader pays close attention to the "d" in the box.

 After he held up the box and closed his eyes to imagine the letters going in the correct direction he then practiced writing some "b" and "d" words:

Later in the day he was able to write "bark" with ease.  We'll keep using his "brain box" to help him remember important reading concepts.

Below is an example of a colored transparency with a guide line.  Students can use this tool to assist them as they read text.  The color sometimes helps students by reducing glare and adding greater clarity to the letters on the page.  The line allows students to follow the text without losing place.

These are just a few tools to start with.  Always try to bring joy and enthusiasm to the learning environment.  VSLs tend to have an astute sense of humor - have fun!

Visual Tools in a Text-Driven World

My husband and I were having a discussion about VSLs the other day.  Although he is highly visual-spatial, he was asserting that sometimes, information is more important than visual “flash.”  While I agreed, and acknowledged his point that fancy “stuff” doesn’t replace the meaning of what we need to learn, I did point out that, for some learners, it is the visual tool that teaches the concept or presents it in a way that is meaningful enough to learn.

He paused and said, “Hmm, I’ll have to think about that.”  Then he noted that if there is one visual presentation method that communicates concepts in a uniquely learnable way it is video (he does a lot of video production work so he might be somewhat biased). 

He then told me of a recent experience where someone he knew created a video of a concept he had always struggled to learn.  He said, “I saw that video and all of the sudden, I just knew.”  

The video he saw is here, however a less complex insight into the visual world of this professional can be found in this video about Max.  Max allows sound, visual and interactive media artists to create with abandon.  They use objects - also thought of as visual boxes - that are imbedded with programs that have specific commands in them.  

Below is a video the provides an excellent insight into why an artist and designer uses Max as a development tool.  She comments that due to its specific visual presentation Max works as a tool for her specifically because it is so visual.  She states that it allows her to see what the program does and how it works in ways that traditional programming does not allow (think of line by line coding).

 

Angela Lorenz on Visual Design

The video below is an interview with David Tinapple, a video artist at Carnegie Mellon University.

Tinapple discusses his use of Jitter, another visual development tool used by media artists.  Listen as he states that the interface "treats your eyes like your brain" and he notes that he believes we can "think" with our eyes.

 

So take this brief journey into the world of some highly accomplished and creative visual-spatial artists who see and create with visual tools.

Spelling Techniques for Visual-Spatial Learners

Today we will look at spelling techniques devised by Linda Silverman in her article,  "A Visualization Approach to Spelling."  She has a list of suggested techniques that are offered on the website for The Gifted Development Center.  Silverman points out how often the VSL is challenged by traditional spelling conventions.  Below, you will see some images that demonstrate some useful techniques.

In order to learn more, visit the link to the site above and browse the articles on spelling.

Here the student writes his spelling words in two different colors

The student begins his visual word study by writing each word in two different colors.   He breaks the words down visually not by using syllables.  After writing all of the words in color, the student holds one word at a time at arms length and studies the word briefly.


He then closes his eyes and imagines the word in some silly or dramatic way.  He then places the word in space somewhere above his head.  He then spells the word backwards with his eyes closed and then spells the word forward with his eyes closed.  Finally, he writes the word correctly one time.  As you might imagine - this review proves to be a very effective method of study.

The student holds the colored words at eye level

Here the student begins to create a visual image of the word 'torture.'

In this picture, our spelling challenged artist has created a hangman's noose to represent the spelling word.

Another technique that reaches the visual learner is the use of dramatic imagery to associate and illustrate a word.  Above you can see one student's interpretation of how he sees the word 'torture.'

In an upcoming post, we will look at some more helpful techniques to teach the challenged speller.

Story Boards - Visual Tools

I came across an excellent tool to engage a classroom of writers: accomplished, emerging, developing and reluctant.  While storyboards are not new, I think they are undervalued.  Roger Essley in his book, VISUAL TOOLS for Differentiating Reading and Writing Instruction makes an excellent case for using storyboards to begin the writing process.

I began this area of exploration when my 5th grade son needed to write a script for a "commercial" he was writing for a book report project.  He was stuck and wondering how to go about writing his script.  I suggested he try a storyboard first.  We searched the internet for examples.  He started his storyboard shortly after and I started to look into Roger Essley's work and the application of storyboards for reading and writing instruction.  My son's first attempts at storyboarding are below:

Beginning a 6 box storyboard

Making progress imagining his "commercial"

Completing the storyboard scenes

Essley also calls storyboards 'telling boards' and the description is apt.  Simple pictures can help a student begin the process of expressing his ideas before any writing happens.  This can be a unique and refreshing starting point for a student who is reluctant to write or who is blocked in getting started.  Essley also makes the very important point that simple pictures can communicate complex ideas.

A further extension of the in-class telling board is to allow students to tell their story and then take class questions.  During this process, the student learns what further information his writing will eventually need.  It also allows the student to begin the revision process without the lengthy writing and rewriting process that so many students seem to resist.

If you're interested in exploring this topic further you can follow the link to Essley's website above or take a look at these short videos of his on the Scholastic site.
My son's storyboard was a success for him.  It fueled his thinking so that when he approached the writing of the actual script, it flowed easily.  I see more storyboards in our future.

Multiplication Grid continues...

Big salty crocodile tears splashed onto the table top.  Our young mathematician was deeply defeated the other day. His comment:  "I hate being wrong.  I can't make my numbers go right."

That is a common problem for many visual spatial learners and a stumbling block to feelings of success in school and at home when doing homework.

Note the 36 and 63 in the 9's column

As you can imagine, the two numbers look as similar and as confusing to him as if the answer to 4 x 9 and 6 x 9 were the same number!  He struggled and finally the big tears landed on the table.  We talked about everything he did know and all that he could do.  We also spent some time practicing the 9's tables with the techniques below.

Multiply 9's by bending the multiplying finger...

4 x 9 = 36 Thus 3 fingers on left and 6 to the right of finger 4

This was a fun exercise but our student preferred the method below:

This student finds patterns quickly and noted the above with triumph

In the photo above, before I could finish writing, the student exclaimed: "I get it.  It just goes backward!"  He then explained easily how to arrive at the answers for the 9's table. 

Below is a brief video where he explains how to multiply any number above ten times eleven.

 

He explains that the factor 12 in 11 x 12 is split apart and then added.  The result, 3, is placed in between the split factor 12.  The answer is 132.

In addition to the above activities, we clapped, counted and sang.  I'll close this entry with links to some of our favorite School House Rock multiplication songs:
3's
My Hero Zero
7's
8's

Visual Math App

We will catch up with our second grade mathematician in an upcoming post. However, in today's post, I want to briefly review a math app for iPhone or iPad. The app is called Visual Math by Wiley Aps and is presented as a great visual learning tool for primary grade students.

Unfortunately, the promise is diminished in the real world experience with this app. Now admittedly, my VSL son had some fun playing with this app but the format is lacking in planning or vision. Below are some screen shots of the app.

Players are moved through a series of activities in rounds of 12 activities each.  Those twelve activities are comprised of the same four or five games.  The games require some basic skills: skip counting, money recognition and addition, pattern recognition, time recognition from analog to digital and shape identification.

While the games are somewhat fun and engaging there is little substance here to extend understanding. In addition, the activities quickly become predictable. A random series of exercises appear on screen. They are too varied in expectation to offer consistent practice. The user cannot chose an activity, such as money, to practice due to the random selection of activities.

As a result of the above limitations, I was disappointed in this app and did not find it to be a very useful instructional tool.  On the positive side, the existence of this app offers hope for the development of better visual math resources for the future.

View this link to see one program offering visual math curriculum and sample lessons for high school algebra.  In our next post, we will revisit our 2nd grade math student as he completes his grid.